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DTSTART;TZID=America/New_York:20250718T090000
DTEND;TZID=America/New_York:20250718T150000
DTSTAMP:20260419T081928
CREATED:20250714T165513Z
LAST-MODIFIED:20250714T165734Z
UID:2759-1752829200-1752850800@historicalsocietyofwoodstock.org
SUMMARY:HSofW Cleans Out It's Attic
DESCRIPTION:The Historical Society of Woodstock is pleased to announce its annual yard sale\, a fundraiser for the HSW.\nCommunity members have generously gone into attics\, barns\, and cellars and have donated wonderful items to the sale. Household items\, tools\, jewelry\, toys\, artwork\, vintage treasures\, and more are featured. All proceeds benefit the Historical Society of Woodstock. \nThe sale will take place at the Historical Society of Woodstock’s Eames House\, located at 20 Comeau Drive in Woodstock\, on Friday and Saturday July 18 and 19 from 9 a.m. to 3 p.m. each day. Admission is free. \nOn Saturday July 19th\, the event will also include a Yummy Bake Sale\, an assortment of treats from Woodstock’s best kitchens.
URL:https://historicalsocietyofwoodstock.org/event/hsofw-cleans-out-its-attic/
CATEGORIES:2025 events
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DTSTART;VALUE=DATE:20250712
DTEND;VALUE=DATE:20250908
DTSTAMP:20260419T081928
CREATED:20250623T183523Z
LAST-MODIFIED:20250819T142910Z
UID:2712-1752278400-1757289599@historicalsocietyofwoodstock.org
SUMMARY:Making Her Mark:50 Women Artists Of The Historic Woodstock Art Colony
DESCRIPTION:Saturdays & Sundays\, July 12 through September 7\, 1–5 p.m.\n\nAdmission: Free\n			\n				\n				\n				\n				\n				Curated by Bruce Weber\, historian of American art and board member of the Historical Society\, Making Her Mark celebrates the work of 50 women artists who were active in the historic Woodstock art colony. The paintings\, drawings and prints are drawn from the permanent collection of the Historical Society of Woodstock. The display ranges from women who arrived during the first decades of the 20th century as students at the Art Student League’s Woodstock School of Landscape Painting to those who came in the wake of the end of the Second World War through the 1970s. In style the pictures range from the Tonalist aesthetic promulgated by the League’s first school here from 1906 to 1922\, to the diverse landscape\, figurative and abstract styles that evolved around the time of the League’s return in 1947 through their departure in 1979\, and into the 1980s. \nExhibition curator Bruce Weber authored the exhibition catalogue which features a brief essay on the subject and biographies of all the artists. He will be giving gallery talks on the exhibition at 2 p.m. on Sunday July 20th and Saturday August 30th. On Saturday August 9th at 2 p.m. the panel discussion “Women Speaking About Women Artists of the Historic Woodstock Art Colony\,” will also take place at the Historical Society. The moderator for the panel is Deborah Heppner. Panelists include Jenne Currie (daughter of Ethel Magafan)\, Melinda Rohland Meister (great niece of Caroline Speare Rohland)\, Karen King (great granddaughter through marriage of Florence Ballin Cramer)\, and Paula Nelson (artist and friend of Mara Angeloch\, Nancy Summers and others). \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Doris Lee\, “Untiltled”\n			\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Georgina Klitgaard\, “Village Church”\n			\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Marion Greenwood\, “Black Man”\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				The group of women artists represented in this exhibition who arrived in the first two decades of the twentieth century include Josephine Barnard\, Marion Bullard\, Florence Ballin Cramer\, Dorothy Greenwood Ives\, Ilonka Karasz\, Julia Leaycraft\, Hester Miller Murray\, Pamela Hart Vinton Brown Ravenal\, Caroline Speare Rohland\, Zulma Steele\, Eva Watson-Schutze\, and Elizabeth Bush Woiceske. In the 1920s and 1930s the arrivals include Peggy Bacon\, Agnes Baskin Bierhals\, Lucille Blanch\, Reeves Brace\, Jo Cantine\, Gwen Davies\, Mary Earley\, Aline Fruhauf\, Eugenie Gershoy\, Grace Greenwood\, Marion Greenwood\, Rosella Hartman\, Wilna Hervey\, Florence Tuttle Hubbard\, Jane Jones\, Georgina Klitgaard\, Doris Lee\, Martha Levy\, Nan Mason\, Eugenie McEvoy\, Mary Dufresne Smith\, Dorothy Varian\, Margaret Chapin Wetterau\, and Madeline Schiff Wiltz. Arrivals in the period from the 1940s through the 1970s include Mara Angeloch\, Louise Brokenshaw\, Helen Gerardia\, Carolyn Haberlin\, Agnes Hart\, Eleanor Lockspeiser\, Ethel Magafan\, Sally Michel\, Norma Morgan\, Barbara Neustadt\, Altha Spalding Odell\, Nancy Summers\, Jean Wrolsen\, and the recently deceased Beryl Goss. A flock of New York City public school teachers spent summers in Woodstock\, including Florence Tuttle Hubbard who arrived in the early 1920s. Following World War II\, Odell taught art at high schools in Saugerties and Kingston.
URL:https://historicalsocietyofwoodstock.org/event/making-her-mark/
CATEGORIES:2025 events,Exhibit
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DTSTART;TZID=America/New_York:20250503T140000
DTEND;TZID=America/New_York:20250503T160000
DTSTAMP:20260419T081928
CREATED:20250414T152708Z
LAST-MODIFIED:20250623T215046Z
UID:2673-1746280800-1746288000@historicalsocietyofwoodstock.org
SUMMARY:Book Signing And Talk by Joanne B. Mulcahy
DESCRIPTION:Marion Greenwood:\nPortrait And Self-Portrait—A Biography\nby Joanne B. Mulcahy\n			\n				\n				\n				\n				\n				Date: Saturday\, May 3\, 2 pm\nAdmission: Free\n(Note that parking is limited at the Historical Society; please park in the lower Comeau parking lot) \nThe Historical Society of Woodstock will host a talk\, photo presentation\, and book signing by author Joanne B. Mulcahy for her newly-published book Marion Greenwood: Portrait and Self-Portrait—A Biography on Saturday\, May 3 at 2:00 pm at the Historical Society’s Eames House Museum at 20 Comeau Drive\, Woodstock NY. Admission is free. \nBased on a decade of research\, Mulcahy’s book explores the life of this Brooklyn-born artist celebrated in the mid-twentieth century for her murals\, easel portraits\, and lithographs. Greenwood thrived at the Art Students League in New York City\, in the studio of German modernist Winold Reiss at Yaddo\, and at other storied institutions. From the age of fourteen\, she spent part of every year in Woodstock\, splitting the time with her studio in New York City. The Maverick Festival and Woodstock’s art scene were central to her development. \n  \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				In 1933\, Greenwood catapulted to international fame as the first woman to paint a public mural in Mexico. Diego Rivera celebrated the then 24-year-old artist as one of “the world’s greatest living women mural painters.” She traveled the globe to create award-winning portraits of people from diverse backgrounds\, crossing racial\, cultural\, and class lines. An early feminist\, Greenwood was one of only two women war artist-correspondents during World War II and advocated for the inclusion of other women. \nAfter social realism and portraiture fell from favor\, Greenwood doggedly stuck with what she called “the human thing” in art. Her freewheeling romantic life and independent spirit defied expectations for women\, and she dismissed sexist critics who mixed acclaim for her work with commentary on her stunning beauty. In following Greenwood’s maverick path and artistic achievements\, Mulcahy argues for her place in the pantheon of history’s remarkable women artists. \n			\n				\n				\n				\n				\n				Joanne B. Mulcahy is the author of Remedios: The Healing Life of Eva Castellanoz and Birth and Rebirth on an Alaskan Island: The Life of an Alutiiq Healer and coauthor of Writing Abroad: A Guide for Travelers. Her award-winning essays have appeared in numerous journals and anthologies. For over thirty years\, she taught creative nonfiction at Lewis and Clark College in Portland\, Oregon. She’s also taught in prisons\, libraries\, and other community settings in the US and overseas. She lives with her husband in Portland\, Oregon and Pátzcuaro\, Mexico.
URL:https://historicalsocietyofwoodstock.org/event/book-signing-and-talk-for-joanne-b-mulcahys-new-book/
LOCATION:Historical Society of Woodstock\, 20 Comeau Drive\, Woodstock\, NY\, 12498\, United States
CATEGORIES:2025 events
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